摘要
上世纪九十年代中国女性文学崛起并繁荣,使中国女性创作在浮出历史地表之后,汇入中国当代文学的主流。本文试图通过对大众传媒、受众、女性创作者三个要素的分析,展示在大众文化视域内,上世纪九十年代以来在大众传媒、男性阅读、女作家商业化追求三者共谋下,女性文学在部分读者心目中的"矮化"现象。本论文也试图指出中国女性文学创作策略的失败与误区。
Chinese women＇s literature has been flourishing since the 1990s, enjoying a remarkable presence in the contemporary Chinese literary scene. This article attempts to analyze this literary spectacle from three key el- ements of mass media, reader response, and female writing, and present a picture of Chinese female literature＇s contemporary condition： how it is “belittled” by a certain circle of readers under a conspiracy of mass media, phallologoeentrie reading and commercial pursuits on the part of female writers themselves. This article also ex- amines some strategic misbelief and failures in contemporary Chinese female writing.
出处
《中山大学研究生学刊（社会科学版）》
2007年第3期9-16,共8页
Journal of the Graduates Sun YAT-SEN University(Social Sciences)
关键词
大众文化
女性文学
男性阅读
矮化
mass culture
women＇s literature
phallologocentric reading
belittling
