摘要
在古代长篇小说的发展历程中,世情小说的出现有着重大的意义。一方面,世情小说在小说人物的选取、整体结构及小说的语言上,明显流露出不同于史传文学的新的平民化、世俗化的审美意识;但另一方面,在这种新变中,世情小说又表现出与史传文学千丝万缕的联系,在创作动机、创作原则、传奇性等诸多方面承袭了源自史传文学的传统的审美意识。可以这样说,世情小说是中国古代长篇小说由传统向现代过渡的一座桥梁。
In the development of ancient full-length novels, the emergence of novels about human relationship has crucial significance. On one hand ,novels about human relationship outpouring new aesthetic consciousness of common customs which are different from historical-biography literature on the whole structure ,the tongue and selecting characters of novels ;on the other hand ,they are related each other, and novels about human relationship inherit the traditional aesthetic consciousness of historical-biography literature on creation motive and principle ,and the romantic . It can be said that novels about human relationship is a bridge from tradition to modern.
出处
《河南师范大学学报（哲学社会科学版）》
北大核心
2007年第1期186-189,共4页
Journal of Henan Normal University(Philosophy and Social Sciences)
关键词
传统
现代
世情小说
《金瓶梅》
审美意识
tradition
modern
novels about human relationship
Jinpingmei
aesthetic consciousness
