摘要
本文对孙吴、东晋及南朝时期的倡伎作了比较详细的考察,说明六朝时期的倡伎,主要是指以歌舞为业的艺人。官伎与家伎,是六朝倡伎的两种主要类型。江南地区商品经济比较发达,在南齐年间开始出现私妓。唐代诗人写了不少以南齐名妓苏小小为题材的诗,写出了这位南朝江南名妓的卓越才华、凄厉身世与不幸遭遇。
This paper makes a detailed analysis of Changji during the periods or Sunquan＇s Wu Kingdom, East Jin and the South Dynasty, proving that changji in the Six Dynasties mainly refers to professional singers and dancers. Official and private singers and dancers are the two chief types. Private singers and dancers appeared in the Nanqi Dynasty in the South Yangtze River regions, where commerce and economy flourished. Poets in the Tang Dynasty wrote lots of poems with Su Xiaoxiao the famous singer and dancer in the Nanqi Dynasty as the subject matter, giving a vivid account of her excellence and talent, her mournful lot and her miserable sufferings.
出处
《南京理工大学学报（社会科学版）》
2007年第1期4-10,共7页
Journal of Nanjing University of Science and Technology：Social Sciences
关键词
六朝研究
倡伎
中国文化史
the Six Dynasties
Changji
Chinese cultural history
