摘要
西安等驾中村十六国墓M3出土鼓吹俑可分为骑马鼓吹俑、骑马执旗俑和步行鼓吹俑3类。步行鼓吹俑所奏鼓类乐器以及骑马与步行相结合的鼓吹组合方式反映出十六国时期的关中地区与中国东北、西北地区存在密切的文化交流,且从该墓及关中地区其他十六国时期墓葬出土伎乐俑与鼓吹俑的数量来看,十六国中晚期主流音乐表演形式已出现“胡兴汉衰”的发展演变趋势。最后,根据墓葬规格、随葬品品类、鼓吹俑出土情况并与其它十六国墓葬进行对比,推测等驾中村M3墓主人应具有县侯以上爵位,至低为三品武职官员,其官职或不低于“中护军”。
Figurines who play blowing and percussion instruments unearthed in the tomb numbered M3 in Dengjiazhong Village,Xi’an City,can be divided into three categories:figurines who play blowing and percussion instruments on horses,figurines who holding flags on horses and a standing figurines who play blowing and percussion instruments.The Ganggu played by standing figurines and the combination of playing blowing and percussion instruments on horses’back and walking reflected the close cultural exchanges between Guanzhong area and Northeast and Northwest China during the Sixteen Kingdoms Period.And judging from the number of figurines who play Chinese traditional instruments and figurines who play blowing and percussion instruments unearthed in this tomb and other tombs of the Sixteen Kingdoms Period in Guanzhong area,the mainstream musical performance forms has shown a trend of“ethnic music rising and the traditional ones declining”during the middle and late Sixteen Kingdoms Period.Finally,according to the specifications of the tombs,the types of burial objects,the musical figurines and the comparison with other tombs at the same time,it is speculated that the tomb owner should have titled Xianhou or above and ranked the third degree of military officer,its post might be the“Zhonghujun”.
作者
王若洋
李杨
Wang Ruoyang;Li Yang
出处
《文物季刊》
2024年第4期101-108,共8页
Journal of Chinese Antiquity
关键词
十六国时期
鼓吹俑
鼓
“中护军”
The Sixteen Kingdoms Period
Musician Figurines Who Play Blowing and Percussion
Instruments The Ganggu
Zhonghujun
