摘要
舒婷作为“朦胧诗”的主将不可避免地被卷入了“朦胧诗”论争中,并且被推至论争舞台的中心,对舒婷诗歌的批评集合了当时“朦胧诗”论争中双方关注的焦点和议题。论争双方在关于“朦胧诗”的“懂与不懂”、基调与格调、自我表现等议题中涉及到的对舒婷诗歌的既有所借重也有所排拒或避讳的态度,体现了双方对“朦胧诗”批评的艰难和尴尬的境况。
Controversy about Shu Ting＇ s misty poetry aggregated focus and topics of the controversial both sides whose attitude to Shu Ting＇ s misty poetry were self - identity as well as repulsion or avoidance sometimes. It embodied the both sides difficult and embarrassed plight to misty poetry criticism.
出处
《楚雄师范学院学报》
2006年第8期28-33,共6页
Journal of Chuxiong Normal University
关键词
舒婷
“朦胧诗”论争
基调
自我表现
Shu Ting
misty poetry controversy
keynote
self - expression
