摘要
女性的思妇身份是男权中心文化的一种强行规定,其中体现着男性主宰女性的意图。《诗经》时代的女子还较少礼教束缚,有着较大的活动自由,她们的生活空间也相对广阔,情感状态也多有波折,内心世界自然是立体多变的。同为思妇,她们并不同于后世女子,一味地围绕着丈夫缠绵悱恻,诌媚不已,她们有更广阔的情感寄托,也有自信的情感基础。因而,《诗经》中的思妇之“思”,其实应该是女人之“爱”,而不单纯是无主体人格的单相思。
The identity of women of missing husbands is a forceful regulation in male chaucinism, which embodies the intention that men want to dominate women. Womenn during the period of ＂the Book of Poeptry＂ enjoyed more freedom in activities and broader space for living with less yoke of feudal ethical codes; therefore, they had incousltant emotional state and tridimensional and changing inner world. They are different from the women of missing husbands in the later ages who are always blindly and exceedingly senti- mental around their husbands and try to flatter their husbands. They enjoyed more spiritual sustenance and foundation of self- confidence. Therefore, the ＂missing＂ in ＂the women of missing their husbandsin＂ in ＂The Book of Poeptry＂ should be the ＂love＂ of the women instead of the pure unrequitedlove.
出处
《商丘师范学院学报》
CAS
2006年第6期38-40,共3页
Journal of Shangqiu Normal University
关键词
诗经
思妇
文化含义
审美意义
＂The Book of Peoptry＂
women of missing husbands
cultural connotation
aesthetic significance
