摘要
19世纪的西方文论异彩纷呈,研究的重点都以研究作家为主。20世纪初,俄国形式主义学派打破传统,将研究的重点转向作品本身,形成了现代西方文论的一次重要转折,并对西方文学批评的演变和发展产生了极大影响。“文学性”与“陌生化”是俄国形式主义理论精髓的集中体现。用俄国形式主义的方法分析《致凯恩》的“文学性”与“陌生化”,可以领略到这首诗的“形式美”,同时也暴露出俄国形式主义者在文学研究中只看文本的片面性。
The literary theory of the western world in the 19th century, most of which emphasized on the study of the author of a text, developed flourishingly and beomingly. At the beginning of 20th century, breaking the tradition, Russian formalism stressed its research on the text in itself, and realized an important turning in the modem hterary theory. Literariness and Estrangement are the focuses and embodiments of Russian formalism literary theory. Using this theory to analyze the Literariness and Estrangement in Pushikin＇ s Poem To Kain, we can not only appreciate the poem＇ s form beauty, but also can discover the limitation of the theory, i.e. overemphasize text in itself while neglect other factors in the process of literary study.
出处
《徐州教育学院学报》
2006年第2期76-79,共4页
Journal of Xuzhou Education College
基金
2006中国矿业大学社科基金资助项目(OW060191)
