摘要
以晚明清初太仓琅琊王氏与太原王氏两大家族诗人们的诗歌创作及诗歌观念为研究对象,论述了王世贞、王衡等人的诗歌与晚明文坛复古、性灵之风的关系,及王时敏、王昊等人的创作对清初诗坛宗唐、宗宋之争的反映,认为他们以复古为主、融合性灵的文学主张及以宗唐为主、融合宗宋诗风的创作风貌,创造了一条以融通之法解决文学分歧的途径。
The text is devoted to the poets of two families, namely, Langya Wangs and Taiyuan Wangs in the Taicang State. Through the research of their poem writing and concepts,it describes the relation between the poems of the Wangs＇ poets （e. g. Wang Shizhen and Wang Heng）, the Xingling literature and the tendency of restoring ancient literature in the literary circles in the later period of Ming Dynasty. Moreover, it depicts the reflection of the poem creation of the Wangs including Wang Shimin and Wang Hao on the debate as to whether adopting the Tang Dynasty＇s or the Song Dynasty＇s artistic method in the poetic circle in the later period of Ming Dynasty. Through the comparison and reflection, the author intends to shed a light upon the relationship between the household literary development and spreading and the literary transformation in the literary circles.
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2006年第5期69-73,共5页
Journal of Shanghai University(Social Sciences Edition)
关键词
两王氏诗人
复古
性灵
宗唐
宗宋
two Wangs＇ poets
restoring ancient literature
the Xingling literature
adopting the Tang Dynasty＇s artistic method
adopting the Song Dynasty＇s artistic method
