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游苔莎——女性内在性的超越和自我身份的寻求——对哈代《还乡》女主角的另一种解读 被引量:9

Eustacia:the Transcendence of Immanence and the Search of Self Identity
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摘要 文章认为哈代作品《还乡》的女主人公游苔莎充满了朦胧的现代意识,她的行动背离了男权社会对传统女性的期待和道德规范,张扬了女性确立自我,肯定自我的精神,体现了女性超越自身内在性,寻求自我身份的主体性追寻和女性意识的觉醒,是哈代女性角色中最为坚定的反叛者。 During the long term, s traditional patriarchal society, women were regarded as “ the other”, and the object who only reveals immanence o Eustacia, the female protagonist of Hardy , s masterpiece“ The Return of the Native” is full of the modem spirit, whose deeds deviate the social expectation of traditional women , highlighting women, s attempts to establish and affirm themselves, as well as revealing the transcendence of the immanence of themselves , expressing their search of self identity and the awakening of women consciousness. We can say she is the most rebellious female character which Hardy had created.
出处 《长治学院学报》 2006年第4期26-29,共4页 Journal of Changzhi University
关键词 内在性 超越 自我身份 immanence the other transcendence self - identity
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  • 1(美)布朗(NormanO.Brown)著,冯川,伍厚恺.生与死的对抗[M]贵州人民出版社,1994. 被引量:1
  • 2()阿尼克斯特著,戴镏龄等.英国文学史纲[M]人民文学出版社,1980. 被引量:1
  • 3(苏)高尔基(М.Горький)著,孟昌等.论文学[M]人民文学出版社,1978. 被引量:1

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