摘要
京剧莅沪后,上海也出现了京剧票友和票房,在20世纪20年代到40年代,上海始终存在着100多个票房。这时期所形成的中产阶层是京剧票友的主要来源,票房是他们娱乐之所,玩票成为象征他们社会地位的时尚娱乐。票房也是票友联谊、交流信息以及研讨剧艺的空间,票友经常参与社会义演,部分票房成为黑社会势力扩张的工具。从票房可看出近代上海社会的一面,甚至一些细枝末节。
Amateur performers and box offices came into being when Beijing opera appeared in Shanghai. There were over 100 box offices in Shanghai from 1920s to 1940s. The middle-class people were the main source of amateur performers. Box office was a place of entertainment for these people, where they enjoyed performance, formed fellowship, exchanged information and discussed the opera. From the box office, we can perceive the other side of modern Shanghai, even those details that have been ignored.
出处
《史林》
CSSCI
北大核心
2006年第4期87-104,共18页
Historical Review
