摘要
在20世纪,写实主义这个概念一开始是与向西方学习科学和民主的潮流相伴随的,观察、分析以及如实地再现客观对象成为普遍的风气。作为写实主义绘画的重要代表,徐悲鸿强调写实与素描的重要性,他的目的是希望用写实绘画重新树立艺术的观念,再现社会现实,表现历史与社会理想。徐悲鸿事实上将西方学院艺术与写实主义运动的精神混淆了,这就给写实绘画开辟了一个功利主义的方向。可是,无论如何,对于长期以文人画传统为背景的中国画家,写实绘画的基本方法是他们接近现代社会的必要课程——这也正是徐悲鸿的历史意义。
In the 20th century, the concept realism was introduced from the West along such concepts as science and democracy. As a result, observing, analyzing and realistically representing the object had become popular. An important representative of realism in painting, Xu Beihong emphasized the importance of realistic sketch purporting to establish a new artistic conception by way of realist painting in order to represent realistically the social reality, the history, and the social ideals. As a result, Xu had combined the Western institutionalized art with the realistic movement, thus starting a new direction of utilitarianism. For a Chinese painter who came out of the long tradition of literati painting, the basic ways of realistic painting are also ways for the painter to gain access to the society, and this is the historical significance of Xu Beihong as a realistic painter.
出处
《文艺研究》
CSSCI
北大核心
2006年第8期111-122,共12页
Literature & Art Studies
