摘要
《中国之后》是澳大利亚作家布来恩·卡斯特有关中国的系列小说之一。在这部小说中,卡斯特运用了后现代的多层叙述、故事重叠法,解构了传统的东方和西方、男性和女性形象。这里,中国人不再是被东方化了的“他者”,而是被赋予新的性别身份,从而成为创造力的源泉,传承和联结两性文化以及东西方文化的载体。中国乃至亚洲文化,最终成为一个活生生地产生新的“混杂性”的发源地。
After China is one of the China novels by Australian writer Brian Castro＇s. In this novel, Castro employs post-modern techniques of multiple narratives and stories interwoven in stories. He offers ＂de-stereotyping＂ images by subverting the dichotomy of East and West, and femininity and masculinity. In this novel, Chinese people are no longer portrayed as the orientalised ＂Other,＂ but endowed with new identity, who finally become the source of inspiration of creativity and the vehicle of connecting the Western and Eastern cultures and cultures of the two sexes. Castro seems to suggest that Chinese, or even Asian, culture eventually becomes a birthplace of new ＂hybridisation. ＂
出处
《外国文学研究》
CSSCI
北大核心
2006年第4期97-102,共6页
Foreign Literature Studies
