摘要
《边城》和《哦,香雪》是新文学史上极具历史文化意识的乡土文学作品。尽管它们有着较大的差异,但是由于两位作家坚守着诗意化的美学理想,使得他们对其笔下的乡土中国的某些区域一方面深情地眷恋和咏唱,歌唱闭塞、贫瘠、落后的环境中的诗意,尤其是洋溢在其中的人性美和人情美,另一方面又对乡土人生进行了理性的批判,呈现出二重矛盾心态。
In this article, two folk works, ＂The Border Town ＂ and ＂Er, Xiangxue＂, which presented a sense of historical culture in current new-era literature, were analyzed. Despite their relative disparity, the two authors held something in common, that is, both of them adhered to expressing their aesthetics ideals in poetic language. On one hand, they showed their deep love for the specific local places in their works and sang for their backwardness, barrenness and occlusion, especially the human nature and human relationship in them. On the other hand, they rationally criticized the ways of life among local people, which might be defined as inconsistency with their viewpoints mentioned above.
出处
《信阳师范学院学报（哲学社会科学版）》
2006年第4期112-115,共4页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
关键词
《边城》
《哦
香雪》
乡土作品
美学理想
folk works
aesthetics ideal
sentimental attachment
criticize
