摘要
就诗歌体制而言,英语格律诗汉译经历了从古典格律体到现代自由体的演变过程.还有介于两者之间的种种变体.本文试图在借鉴前人研究的基础上,通过比较、评析拜伦诗的三种译作,说明白话格律诗结合了古典格律诗和现代自由诗的优点,成为英诗汉译的主流,有其必然性和合理性.“以顿代步”作为白话格律诗的译诗原则,有一定的指导意义,但不易推向极致.诗歌翻译应该坚持内容先行的原则,在内容忠实的前提下兼顾形式的类似.
In the course of translating English verse into Chinese there appeared two opposing forms： traditional Chinese style and modem free style, with various hybrid forms in between. On the basis of previous research in this field the paper compares three versions of Byron＇ s poem When We Two Parted, concluding that of all forms available the rhymed and rhythmical verse in vernacular Chinese is a better candidate and that ＂Yindun （syllabic and semantic unit） for foot＂ as its milestone principle has its merits. It also makes the point that the principle should be practiced within limits and the form should under no circumstances be pursued at the cost of the content.
出处
《山东外语教学》
2006年第3期108-112,共5页
Shandong Foreign Language Teaching
关键词
诗歌翻译
诗歌体制
以顿代步
poetry translation
poetry form
Yindun for foot
