摘要
理解和把握意境的多层次审美结构,须抓住其作为美学范畴最简明之规定———“境生于象外”[1]。意境乃是“象”与“象外”聚合融汇相浃化为一体而生发出来的一种召唤性结构,它在创造主体与欣赏主体双向审美体验的交流中,直趋生命的本真之思与终极感悟。意境呈现出以天合天的直接同一性与创作理论和接受理论视野融合的鲜明特征。
In order to comprehend the multilayer structure of imagery, it＇s necessary to focus on the concise definition of imagery, ＂Jing＂ coming from exterior of ＂Xiang＂ as a aesthetic category. Imagery is the syncretism of icon and icon beyond an icon, and it is a called structure formed in the double direction aesthetic experiences between writers＇ creation and readers＇ reading, and can reach the origination and ultimate end of life. Imagery presents a distinct characteristics which combines writing theories and reception theory harmoniously.
出处
《武汉科技大学学报（社会科学版）》
2006年第3期73-77,共5页
Journal of Wuhan University of Science and Technology:Social Science Edition
关键词
意境
象
象外
接受
过程
artistic imagery
image
the icon beyond an icon
reception
process
