摘要
唐寅是我国明代著名的画家,开创了削肩忧怨“世俗美”的仕女画类型。歌川丰春是日本江户时代著名的浮世绘画家,开启了浮世绘美女画倦怠忧郁的画风。本文试图通过对唐寅仕女画与歌川丰春美女画的比较研究展示东方世界的两个国家在步入近代的途中世俗性审美文化在绘画艺术中的具体体现。
Tang Yin was a famous painter of the Ming dynasty who initiated the traditional Chinese painting style of depressed beautiful women with sloping shoulders. Toyokuni is a famous Japanese painter of ukiyoe who initiated a painting style of tired and melancholy beautiful women. By a comparative study between Tang Yin＇s and Toyokuni＇s paintings of beauriful women, the paper tries to present the popular aesthetic culture in paintings when China and Japan step into modern times.
出处
《浙江艺术职业学院学报》
2006年第1期94-96,共3页
Journal of Zhejiang Vocational Academy of Art
关键词
唐寅
歌川丰春
俗文化
历史背景
文化内涵
Tang Yin
Toyokuni
popular culture
historical background
cultural connotation
