摘要
元代,在蒙古贵族的统治下,斗争和反抗充斥了整个社会。人们的反抗,不仅针对民族和阶级的压迫,还扩展到更深的封建伦理、文化层面。知识分子对深刻影响他们的儒家人生观、人格观进行了一番重新认识,创作出许多反映社会现实的优秀杂剧作品。本文将结合对水浒戏的分析,来探讨元剧作家对传统儒家人格理论的继承和突破,以及这种现象产生的原因。
Yuan Dynasty, ruled by the noble of the Mongolia, thesociety is full of battle and revolt. People＇ s rebel, not only to thenational and rank oppresses, but also extend to the theory of feudalism,and the culture lay. The intelligentsia had a new understanding of theConfucian that has a deep influence on them, and created a lot of excellentmulti-operas which reflected the social real-life. In this article, I willcombine the analysis of the Shiuhu plays, and discuss the dramatists＇inherit and break through to the traditional Confucian personality, alsothe reason of the phenomena.
出处
《济宁师范专科学校学报》
2006年第2期84-87,共4页
Journal of Jining Teachers College
关键词
元代剧作家
人格理想
水浒戏
表现
Yuan shuihu plays
personality ideal of Yuan dramatist
causes of formation
