摘要
《竹枝》在宋代歌唱已少用唐音“含思宛转之艳”,而是借《阳关》、《小秦王》曲调“著腔子”歌唱,变为酒令表演,“一声三叠”;文人拟作带有仿歌谣性质,专称“《竹枝歌》体”,反映了歌辞创作向“词曲”“定腔”发展的趋向。本文论述为揭示“乐府声诗并著”的歌唱历史,亦为进一步论证诗、词之间的构成关系提供了启示。
Songs Bough of Bamboo in the Song Dynasty were different from those in the Tang Dynasty; they were developed into something like a performance of 'catch - words for drinking' (酒令) with 'triple - lap of one melody' (一声三叠); those literati simulated them to make them like ballads and specifically called them 'the lyrical style of Bough of Bamboo , representing the tendency of words for songs developing to ci ?poetry. Tliis text offers the hints of such a development from singing poetry in Yuefu (乐府声诗并著) to ci - poetry.
出处
《文学遗产》
CSSCI
北大核心
2006年第3期84-91,共8页
基金
本文为国家社会科学基金资助项目(03BZW036)
关键词
《竹枝》
宋代
歌唱艺术
《竹枝歌》
体裁
Songs of Bough of Bamboo (《竹枝》) , Song Dynasty, singing, 'the lyrical style of Bough of Bamboo' (《竹枝歌》体)
