摘要
遍检《全宋诗》、《全宋词》及诸多笔记、话本等文献,考察唐代声诗在宋代的传播情况,对其歌唱事实作了辨证;并从接受史的角度,分析了宋人声诗观的理论内涵。认为唐代诗歌被采择入乐成为声诗的构成方式对宋人声诗观的形成产生了深远的影响,这主要体现在对声诗功能、体制、入乐方式等问题的认识上。
The author studied many documents thoroughly to reveal the spread of musical poems of the Tang Dynasty in the Song Dynasty, and analyzed the singing methods along with singing occasions. Furthermore, the author drew the conclusion that musical poems produced in the Tang Dynasty had great influence on the musical poems in the Song Dynasty after studying the forming course of Musical poems in the Song Dynasty from the perspective of acknowledging history. The influence lies in three aspects: the function of musical poems, the organization of musical poems and the singing pattern of musical poems.
出处
《华南师范大学学报（社会科学版）》
CSSCI
北大核心
2005年第2期61-67,共7页
Journal of South China Normal University：Social Science Edition
基金
国家社会科学基金资助项目"宋代声诗研究"(批准号:03BZW036)
关键词
唐诗歌唱
宋代
声诗观
musical poems of the Tang Dynasty
the Song Dynasty
musical poems
