摘要
东汉文人文学的创作理念表现为对先秦以来儒家文艺思想的一种总结和继承,它更多的是强调文艺的功利性质以及和社会政治、道德等因素的联系,具有鲜明的儒家传统文学观的特色。从总体上说,东汉文人们的社会使命感和责任感,使他们对非儒家的文学思想,特别是那些张扬个性和单纯唯美倾向,始终保持了一种高度的戒备和防范,或闭口不谈或改头换面将其纳入自己的轨道。但实际上,东汉的文人文学创作中又涌动着一股潜流,若隐若现地跳动着与传统思想不谐的杂音,表现了文学的私人性,直至在东汉中后期出现了大量的文学创作理念与文学创作实践错位的作品,而错位的文学作品的大量出现,从质和量上为魏晋文论的繁荣打下了基础,为文学的自觉提供了的支持。
The main literature idea of EastHan dynasty summing up and inherit Xianqin＇s Confucianism literature thought. It emphasized character of the literature utility, and it connects the ingredient of policy or moral. It own bright Confucianism tradition, in the mass, the litterateurs in EastHan dynasty opposed stink and simplicity beauty. They shut or revise non- Confucianism literature idea. In fact, the literature in EastHan dynasty emerged an undercurrent as well, it took on individuality character. Till the evening of EastHan dynasty, there were large numbers of works that were differ from those of tradition. From the nature and quantity, the kind of differ laid the foundations, and supply sustain for literature consciousness.
出处
《河北学刊》
CSSCI
北大核心
2006年第2期150-153,共4页
Hebei Academic Journal
关键词
东汉
文学理念
文学创作
错位
The Eastern Han Dynasty
literature sparkplug
literature invent
alternate
