摘要
在作品重点塑造的两个形象的意义世界中,陈忠实既反思传统文化,又透过这种反思寻求到所向往的东西:那就是把人性和社会伦理道德要求、社会责任相统一,个人能从社会的索取中承担一定的义务,且具有坚挺的人格气质的人格道德模式,而这种探寻,究其实恰恰是儒家文化的“生命力”。
In the symbolic world of two artistic images characterized mainly by the writer Chen Zhongshi, Chen Zhongshi, on the one hand, reflects on traditional culture——Confucian culture, he, on the other hand, searches for the moral mode of human nature that he wished through the reflections in his novel, that is, the human nature of strong good qualities that is the unification of the social ethical requirements and social responsibilities with the human nature. The mode the writer searches for proves to be the vitality of the Confucian culture, which is discussed in this paper.
出处
《宁波职业技术学院学报》
2006年第1期66-69,共4页
Journal of Ningbo Polytechnic
关键词
儒家文化
反思
《白鹿原》
陈忠实
confucian culture
reflection
＂Fighting for the Bai-lu plains＂
Chen Zhongshi
