摘要
埃兹拉·庞德英译的中国古典诗歌在英语诗歌发展中起到了积极的推动作用,但是由于其创意翻译法与中国翻译批评所坚持的标准相去甚远,这些译作在中国不仅一直没有被作为翻译佳品而得到充分的的肯定,反而被看成劣质译品,成了翻译和文化批判的把子。本文通过对庞德翻译理论的解析和对《华夏集》和《诗经》的译例分析,阐述庞德运用创新手法对中国古典诗歌进行文化和诗学兼容的创意翻译的意义及艺术特点,以期庞德的翻译理论和译作在中国能够得到中肯的评价。
In his capacity as both a theorist and a practitioner of translation, particularly with his creative translation of Chinese classical poems into English, Ezra Pound had contributed significantly to the growth of translation worldwide and given considerable impetus to the development of modernist poetry in English. Owing to the differences between the Chinese and the Western criteria for evaluating translational works, however, Pound＇s renderings of Chinese classical poems have not been sufficiently appreciated by translation scholars in China, and his theory of creative translation has fared even worse in this country. To do justice to Pound, this paper takes a close look at his translational theory, offering a detailed analysis of some of his translations from Cathay and The Confucian Odes （Shijing）.
出处
《中国翻译》
CSSCI
北大核心
2005年第6期20-26,共7页
Chinese Translators Journal
关键词
庞德
翻译观念
中国古典诗歌
创意翻译
Ezra Pound
conception of translation
creative translation
classical Chinese poetry
