摘要
庞德早在1914年就发现孔子思想中存在着一个关于自我的学说。他被这个学说所吸引,并力图将其同他当时信奉的自我主义以及审美个体主义结合起来,构建一个有助于现代社会中艺术家个人主体发展的诗学。庞德早期这种从西方自由主义视角来阐释孔子思想的尝试,打破了黑格尔以来西方思想界对儒学的偏见,同时,也对他以后成为孔子的坚定信徒、并通过诗文及翻译在西方宣扬儒家思想产生了决定性影响。
Pound found a doctrine about the individual self in Confucius’s thought as early as 1914.Fascinated by this doctrine,he then endeavored to synthesize it with his privileged egoism and aesthetic individualism,in the hope of formulating a theory that could enhance the modern artist’s project of building a compelling subjectivity.Pound’s reinterpretation of Confucian works from the perspective of Western liberalism at that time not only deconstructed the prevalent Western prejudice against Confucianism since Hegel,but also determined his lifelong belief in Confucianism and his commitment to disseminating Confucian teachings in the West through his writings and translations.
作者
蓝峰
LAN Feng(Department of Modern Languages,Florida State University,Tallahassee,Florida 32306,USA)
出处
《外国语言文学》
2021年第3期309-320,336,共13页
Foreign Language and Literature Studies
关键词
庞德
儒学西传
自我主义
审美个体主义
Ezra Pound
western dissemination of Confucianism
egoism
aesthetic individualism
