摘要
仿聊斋派构成了“后聊斋”时代文言小说创作的主流,它的产生是传统复古风气、小说创新空间萎缩等多种因素共同作用的结果,有其历史必然性;而其依附性的宿命和原创性的匮乏又使它面临着一定的生存困境。从它对《聊斋志异》的接受来看,由于仿聊斋派在连续性与变异性、熟悉度与陌生化之间没有找到很好的支点,从而形成了继承多于创新的局面。同时仿聊斋派和原著之间的关系也相当微妙,既是双赢互利,又是相互牵累。
The school of imitation Liaozhai was the mainstream genre of Wenyan fiction creating in the post-Liaozhai time. While the return of ancient styles and the shrink of potential originality worked together to make the school a natural consequence, it also got itself into a corner. In terms of its reception of Liaozhai, the school failed to locate itself an appropriate position between continuity and variety, hence inherited more and innovated less. The relation between the imitation Liaozhai and the original classics was rather subtle in that they both benefited from and suffered from each other.
出处
《齐鲁学刊》
北大核心
2005年第6期76-81,共6页
Qilu Journal
关键词
《聊斋志异》
仿聊斋派
理论思考
Strange Tales of Liaozhai
the school of imitation Liaozhai
the theoretical thought
