摘要
伽达默尔通过对康德美学的重释和对审美意识抽象的批判,得出了他关于艺术真理的结论,即我们在艺术中经验到的不是一种科学真理,而是一种存在的真理,这种真理是一种生活真理和意义真理,这种真理经验改变了我们理解主体并影响到我们整个的世界经验。
Through his reinterpretation of Kant＇s aesthetics and criticism of aesthetic consciousness, Gadarner reached a conclusion about artistic truth. In his eyes, the truth that we experience in art is not a scientific truth but an existential truth. A truth about life and meaning, it changes our subjects of understanding and influences our view of the whole world.
出处
《安徽大学学报（哲学社会科学版）》
CSSCI
北大核心
2005年第5期32-35,共4页
Journal of Anhui University(Philosophy and Social Sciences Edition)
关键词
伽达默尔
艺术真理观
康德美学
审美意识抽象
Gadamer
View of artistic truth
Kant＇s aesthetics
aesthetic consciousness
