摘要
各个朝代的帝王及其谋臣们为了维护帝王统治,使帝王江山永固、国运长久,都对皇家建筑进行了精心规划和设计,建设了一系列具有象征意义的城市建筑,力图通过完善的都城建设,达到“自天佑之,吉无不利”的目的。北京明清皇家建筑,是我国目前保存最完整、规模最大的皇家建筑群,集中传输着中国的哲学、美学及艺术等概念。易学象数作为一种隐喻、借喻、象征的工具和手段,在中国传统建筑特别是皇家建筑的规划设计中,有着广泛的应用和体现。本文从三极之道、坤元用六、乾元用九、九五至尊、阴阳象数及河洛象数等六个方面,研究了易学象数对中国建筑特别是北京明清皇家建筑产生的影响。
To solidify the imperial control and lengthen national destiny, the emperors and ministers of various dynasties made meticulous planning and designing to the royal architecture and built a series of urban buildings of symbolic significance by which they attempt to perfect the capital architecture and obtain the assistance from the Heaven. The royal architecture of the Ming and Qing dynasties in Beijing is the best preserved and largest scaled royal building group existent, collectively exhibiting Chinese philosophy, aesthetics, and arts. As a metaphorical and symbolic tool and measure, the image-number of the Yi-ology was extensively applied and embodied in traditional Chinese, esp. the royal architecture designing and planning. Departing from the six aspects of the 三极之道 Dao （Way） of the Three Powers, the number of six in hexagram Kun 坤, the number of nine used in hexagram Qian 乾, the supreme position of the fifth line, implications of yin （- -） and yang （——）, this paper reveals the influences of the image-numberology upon Chinese architecture, especially upon the royal architecture of the Ming and Qing dynasties in Beijing.
出处
《周易研究》
CSSCI
北大核心
2005年第4期72-77,共6页
Studies of Zhouyi
关键词
易学
象数
明清皇家建筑
象征
隐喻
Yi- ology
image- number
royal architecture of the Ming and Qing dynasties
sym bolism
metaphor
