摘要
唐代是我国豪侠小说的初创阶段,也是我国杂技发展的鼎盛时期。唐人豪侠小说非常注重侠客的武技描写。这种描写,除了受佛道神秘色彩影响外,更多显示着与杂技的密切关系:一是对侠客武技的描写部分或全部借用了杂技幻术技艺中的某些技巧;二是唐代豪侠小说中的一些侠客形象,尤其是女侠形象,多来自对杂技幻术艺人的形象借用。这种重要的艺术借鉴,不但标志着唐代豪侠小说的定型与成熟,而且以女侠的闪亮登场和高超技艺,提高了唐人豪侠小说的审美效果和文化内涵,增强了小说的神秘性和吸引力,也直接启发了后世武侠小说作者武技描写的想象力。
The initial stage of Xia-fiction in our country, the Tang Dynasty is a great prosperous period of acrobatics' development. The description of the military skill of chivalrous men is paid much attention to in Xia-fictions, and it reveals much more about the relationship with acrobatics. First. Some skills of the acrobatics magic are partly or fully used in the description of the military skill of chivalrous men. Second, most images, especially swordswomen's images in Xia-fiction of the Tang dynasty come from the employment of the image of the acrobatics and magicians. Such skill raises its aesthetic effect and cultural implication, strengthens its mystery and attraction, and inspires the imagination of authors directly.
出处
《天水师范学院学报》
2005年第3期1-6,共6页
Journal of Tianshui Normal University
