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辛弃疾咏物诗与唐宋诗之流变 被引量:2

Seeing Variety of Tang-Song Poem Style from Xin Qiji's Poem of the Depiction Object
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摘要 辛弃疾咏物诗 ,大约 3 0题 40余首 ,从中可看出唐音与宋调之流变。稼轩咏物诗中 ,有托物兴寄、寓言写志者 ,可与“稼轩体”相发明 ,盖传承六艺之比兴 ,较近唐音之宗风。唱和诗与连章诗追求因难见巧 ,注重自出手眼 ,有宋诗之超胜意识在。稼轩咏物诗又或妙脱蹊径 ,以指见月 ;或寓物言理 ,藉象得意 ,诗思不犯正位处 。 Xin Qiji's poem of the depiction object, about writing more than 40 poems with 30 topics,we can understand the variety between Tang poem and Song poem from his poems. In these poems of the depiction object,some poems express by describing the object to consign, others have expresses the ideal with the writing,they all inspire with“ the style of Jia xuan” mutually,and all inheritted“Bi, Xin” in “the Liu-Yi”,and be near to the style of Tang's poem comparatively. The “Chang-He poem” and the “Lian-Zhang poem” tries to pursue the handiness to conceive outline in the difficulty,which became own special style, and have the consciousness of surmount. Xin Qiji's poem of the depiction object surmounted the usually method of writing poem,with small to see big. Consigned own viewpoint in the object ,adopt the method of indirect depiction in conceive outline,which showed creation thinking of a poet of Song Dynasty.
作者 张高评
出处 《华中科技大学学报(社会科学版)》 2004年第5期23-31,48,共10页 Journal of Huazhong University of Science and Technology(Social Science Edition)
关键词 咏物诗 稼轩体 唐音 宋调 兴寄 超胜意识 不犯正位 创造思维 the poem of depiction object the style of Jia xuan the sound of Tang poem Ci poem writtern in the Song Dynasty expressing by describing the object to consign the consciousness of surmount the method of indirect depiction the creation thi
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