摘要
清代古音研究中考古和审音两派在平上去入四声关系、阴阳入三声关系、韵类侈敛的分合关系等三方面的论述，相互启发、相互借鉴、相互推动．是促进清代古音研究深入发展的重要原因。考古的方法属于归纳，审音的方法属于演绎，其他领域的研究亦可从清人的研究中得到启发；归纳与演绎是对立而又统一的，应当兼综归纳与演绎之长。
The paper attempts to make an analysis of the view on the relationships of four tones(平上去入), of three tones (阴阳入) and the rhyme division between two schools of archaeology and phonetics examination in the Qing Dynasty (清). In addition, the authors proposes that the addoption of the two approaches from the two schools is the vital reason underlying the deeper development of the study of classical phonetics in the Qing Dynasty (清). Archaeoloqical approach is of inductive quality, while that of the phonetic examination is of deductive character. To sum up, the inductive and the deductive approachs are in a state of unity and opposition, so we should make use of them in a unity way in all spheres of study.
出处
《古汉语研究》
CSSCI
北大核心
2001年第4期2-7,共6页
Research in Ancient Chinese Language
关键词
审音
古音研究
归纳
四声
对立
统一
方法
考古
清代
演绎
the Qing Dynasty (清)
classical phoneticsl archaeological approach
the approach of phonetics examination
