摘要
本文主要从接受群体之结构变化与文学发展关系的角度,探讨了游牧文化对元代文学发生的多重影响。文章首先将中国古代文学分为元代之前和元代之后两个不同阶段,并且从若干方面提出这两个不同阶段的根本性区别。本文认为,中国古代文学在元代之前和元代之后的根本性变化,与游牧文化南下造成的元代文学接受群体的结构变化具有不可忽视的关系。文章提出,元代作家在创作活动中,适应蒙古族喜爱歌舞的传统,适应元代社会中多民族语言并存的环境,乃是造成中国文学史上出现元杂剧鼎盛的直接原因。
The text investigates into the relation between the change of the public and literature development , especially about the multiplied influence of the nomadic culture upon Chinese literature in the Yuan Dynasty . First , classic Chinese literature is divided into two periods : Pre -Yuan and After - Yuan , with some fundamental differences in these two periods . The text maintains that the going southward down of the nomadic culture has made change the structure of the public which decided on the fundamental difference between Pre - Yuan Chinese literature and After - Yuan one , and this is as well the reason for the rising - up of the miscellaneous dramas in the Yuan Dynasty .
出处
《文学遗产》
CSSCI
北大核心
2002年第5期57-69,共13页
关键词
文学发展
元代文学
中国古代文学
中国文学史
元杂剧
鼎盛
作家
游牧文化
多民族
蒙古族
The Vicissitude of Chinese Literature, the structure of the public, the nomadic culture, the rising - up of the miscellaneous dramas
