摘要
技术训练的实质是双手对于乐器控制能力的训练。这种控制能力实际上指的是大脑对手的控制能力。所以技术训练不只是练手,练脑也具有同等的重要性。 本文试图就二胡演奏中的“音准”、“揉弦”、“滑音”、“运弓”和左右手配合的几个主要技术问题来阐述如何科学地掌握技巧,并从音乐的角度来认识技巧,正确理解技术与音乐的关系,理解丰富的技巧来于丰富的音乐内容,而丰富的音乐决定了技巧要求的无止境,并使之最终更好地为音乐服务。
The essential of technique training is the training of the ability to control the musical instrument. This ability of controlling the musical instrument is actually the command given by the brain to both hands. So technique training should not only pay attention to the hands, but also with equal importance to the brain.
In this article, I mainly expound on how we may possess the technique in a scientific way with examples of several important technique training, such as 'standard pitch', 'vibrato', 'glissando', 'bow-ing'and the cooperation of both hands. I also deal with how to understand the importance of technique from the musical point of view and gain a better understanding of the relationship between the music and the techniques. So we can reach the agreement that various techniques come from rich music, and the rich music also gives an immense opportunity for the development of techniques
出处
《人民音乐（评论）》
北大核心
2002年第9期28-31,55,共4页
Peoples Music
