摘要
本文整理2001-2003年间《人民音乐》,《音乐研究》、《中国音乐学》等杂志及各大音乐学院学报中有关中国近现代音乐史理论研究文章,介绍了目前中国音乐史理论研究的概况。从这几年来看、音乐界对中国近现代音乐史的研究取得了一定的成绩,尤其是对一些历史人物的评价更趋公正、客观,对近现代音乐作品的研究更趋深入,对"重写音乐史"的思考更趋透彻。但也显现出对中国近现代音乐史方法论问题以及如何构建其新时期的学科框架等问题研究的不足。
This thesis sorts out many related theoretical research papers on Chinese modern musical history from People's Music, Music Research, Musicology in China and journals of conservatories between 2001 and 2003 and then gives a survey of theoretical research on music history in modern China. During the years, music realm has made great achievements in this field, especially the judgment of some historical figures tends to be more righteous and objective and study of modern music works more deeply and thought on 'rewrite music history' more thoroughly. Nevertheless, the deficiency comes up in the research methodology and in how to build up a new-time academic framework.
出处
《南京艺术学院学报（音乐与表演版）》
2005年第1期68-70,35,共4页
Journal of Nanjing Arts Institute:Music & Performance
关键词
中国近现代音乐史
近现代音乐家
反思
重写音乐史
Chinese contemporary music history
contemporary musicians
introspection
rewrite music history
