摘要
中国近现代音乐史是中国音乐史学的重要分支。本文从近代音乐史学史的角度,简要地介绍了学科发生和发展的全过程,指出在建国后学科起步阶段的“左”的影响;全面梳理了本学科在改革开放以来重要观点和重要文献,以及论文、专著等研究成果;并提供了当前“重写音乐史”的背景及其资料。文章指出中国近现代音乐史学已经落后了,应注重在学科建设方面花力气。
From the angle of modern musical historiography, this article briefly introduces the emergence and development ofmusical historiography of modern and contemporary China, an essential branch of Chinese musical historiography, andpoints out the influences of “Left Deviation” in the early development of this subject after 1949. In addition, the author sortsout some significant opinions and documents and some research results, such as theses, monograph, etc. after the policyof reforming and opening, attached background and materials for “rewriting the history of music”. Finally, the articleintends to point out that we should put our focus on the academic construction since the musical historiography of modernand contemporary China has been behind the times.
出处
《南京艺术学院学报（音乐与表演版）》
2004年第4期4-16,共13页
Journal of Nanjing Arts Institute:Music & Performance
关键词
中国近现代音乐史
史学研究
学科建设
重写音乐史
musical historiography of modern and contemporary China
historiography research
academic construction
rewritingthe history of music
