摘要
本文主要论述现代主义的艺术感知与麦克卢汉新媒介理论的电子媒介技术感知之间的交互关系。19世纪末开始进入的电力时代,正是现代主义的兴起时期,现代主义转向环境感知与电媒环境对感知的塑造有着直接的关系。麦克卢汉理论大量引证现代主义艺术家,现代主义既是麦克卢汉理论的文学根源,也是麦克卢汉新媒介理论的一部分,现代主义的感知与麦克卢汉理论中的艺术化电媒环境的技术感知为同一论题。可以说,麦克卢汉理论为现代主义研究提供了有效的媒介方法论。
This article deals with the interactive relationship between the modernist artistic perception and the electric media perception in McLuhan's new media theory. The rise of modernism at the end of 19 thcentury echoes the development of the electric age,and the electric media's molding of perception has a direct influence upon the environmental perception of modernism. Modernism serves as the literary source as well as an indispensible part of McLuhan's new media theory,as can be seen in his large amount of quotations from modern writers and artists. The modernist artistic perception can be argued to be the same issue as the technological perception in the context of McLuhan's media theory,and the paper concludes that McLuhan's theory may provide a useful methodology for Modernism studies from the perspective of media.
出处
《文艺理论研究》
CSSCI
北大核心
2015年第1期98-106,共9页
Theoretical Studies in Literature and Art
基金
国家社科基金后期项目"文化现代主义"[项目编号:13FZW033]阶段成果
关键词
麦克卢汉
现代主义
感知
电媒
Mc Luhan
Modernism
perception
electric media
