摘要
"物纷"(物の紛)是《源氏物语》中用来表示私通乱伦行为的委婉用词,江户时代"源学"家安藤为章第一次将"物纷"作为理解《源氏物语》的关键词。贺茂真渊大体同意此说,并提出"以物讽谕"说,赋予了"物纷"作为一个概念所应有的自性。到了本居宣长的《紫文要领》,则将"物纷"纳入审美范畴。荻原广道在《源氏物语评释》中,认为"物纷"才是《源氏物语》的主旨,将"物纷"改造为写作方法的范畴。从《源氏物语》到近代日本自然主义文学的基本创作方法及作品风格,都可以用"物纷"加以概括,它与"物哀"、"幽玄"、"寂"等概念一样,在日本文论乃至世界文论史上具有独特的意义和价值,值得我们今天加以进一步研究和阐发。
'Mononomagire'is a euphemistic term to describe adultery and incest in The Tale of Genji.Antouishou, a scholar of The Tale of Genji firstly regarded'mononomagire'as the key word to understand The Tale of Genji.Motoori Norinaga took'mononomagire'into the category of aesthetics.Ogihara hiromichi deemed that'mononomagire'was the gist of The Tale of Genji.Accordingly,'mononomagire'was reformed to a writing method.The basic writing methods and literary style fromThe Tale of Genji to modern Japanese naturalism literature could be generalized as'mononomagire',which was equal to the concept of'mononoaware','yuugen'and'sabi'.The theory of'mononomagire'is of great significance and value in Japanese literary theory and world literary theory,and deserves further study.
出处
《上海师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2014年第3期86-92,共7页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
基金
国家社科基金项目"中日古代文论范畴关联考论"(13BWW021)前期成果之一
关键词
物纷
物哀
源氏物语
源学
日本美学
中日比较诗学
mononomagir,mononoawar,The Tale of Genji,studies of The Tale of Genji,Japanese aesthetics,comparative poetics between China and Japan
