摘要
在《橡皮》中,罗伯-格里耶试图用消解真相的方式取消传统文学创作中的深度神话,并挑战逻各斯中心主义对传统写作的统治。小说中"橡皮"这一主要意象在作用上与德里达主张的"延异"吻合,其文中所使用的反复和空缺的创作策略与德里达消解同一性的理论相应,可见《橡皮》这类文本并非是在追求复现价值或寻找真相,而是在对逻各斯中心的解构中使人们能动地发掘价值意义的多元性和未定性。
In Eraser,Robbe-Grillet tried to abolish the depth myth in traditional literary invention with deconstructing the truth, and challenge the dominion over traditional writing by Logocentrism.The article s analysis contains three parts: first,prove the comparability between the primary image "eraser" in the fiction and Derrida s "difference";secondly,compare the inventing technique"repeat" and "vacancy" in the fiction with the counterpart theory in Derria s opinions against identity;finally,emphasize that the ...
出处
《盐城师范学院学报（人文社会科学版）》
2008年第3期61-67,共7页
Journal of Yancheng Teachers University（Humanities & Social Sciences Edition)
关键词
逻各斯
橡皮
延异
反复
空缺
Logos
Eraser
difference
repeat
vacancy
