摘要
三十年来,作者与东北少数民族暨跨界族群音乐学界的不断交往,通过小溪汇河海,润雨细无声的路径,融铸了自己由南而北,由内向外,从中国至周边走向全球的整体艺术观和世界文化观。且经由远眺到环视,再到实际操演的过程,完成了自己涉足东北少数民族暨跨界族群音乐研究与教学的经历和体验。文章结合历次参加中韩、中日音乐学术研讨会,中国与周边跨界族群音乐学术研讨会和指导研究东北、东北亚音乐博士、硕士论文的经历和体验,讨论了相关的研究现状、目前存在的问题和对未来趋向的展望。
Based on the constant exchanges with the musicology circle which focus on music of ethnic minorities in northeast China and cross-ethnic groups recent 30 years,the author has gradually formed his individual views of overall art and world culture,which included the research of Chinese southern and northern music,domestic and abroad music that from China and its neighbors to the whole world.Upon the process that from overlook to look around and then practice,the author has completed the research and teaching experience in this area.With the experiences that participating in seminars about China-Korea music,China-Japan music,China and its surrounding cross-ethnic group music,and guiding doctoral and master’s thesis about music of northeast China and northeast Asian,the author also discusses the relevant research status,current problems and prospective tendency of them.
出处
《北方音乐》
2022年第1期44-51,33,共9页
Journal of the Northern Music
基金
国家社科基金艺术学课题一般项目《南方跨界族群音乐民族志的理论建设和选点、比较研究》(项目号:20BD068)阶段性成果
关键词
东北少数民族
跨界族群
研究现状
存在问题
未来趋向
Northeast ethnic minorities
cross-border ethnic groups
research status
existing problems
future trends
