摘要
在明中后期日渐浓厚的商业环境中,书画因具有特殊的雅文化意义,在文人的引导下成为新富商人追逐的流行消费品,商人对书画作品的购藏活动亦使得书画的商品属性显现出来。失意文人开始寻找仕途之外的有效谋生手段,形成了别具一格的"山人"文化。当书画技艺成为扬名与取利的治生手段后,"山人"的行为与心态皆发生改变。明代中后期"山人"的书画治生成为一种普遍的文化景观,反映了这一历史时期商业环境对文人阶层生存理念和思想观念的冲击。
In the increasingly commercial environment in the mid to late Ming dynasty,calligraphy and painting,due to their special elegant cultural significance,became popular consumer goods pursued by new wealthy merchants under the guidance of literati.Merchants’purchase and collection of calligraphic works and paintings also revealed the commodity attribute of calligraphy and painting.Disappointed literati began to look for effective means of earning a living outside an official career,forming a unique"shanren"culture.When their calligraphic and painting skills became famous and profitable,both their behavior and mentality changed."Shanren"made a living by calligraphy and painting,which became a prevailing cultural spectacle in the mid to late Ming dynasty,reflecting the impact of the commercial environment on the life philosophy and ideology of the literati in this historical period.
出处
《江苏社会科学》
CSSCI
北大核心
2021年第3期185-190,244,共7页
Jiangsu Social Sciences
基金
国家社会科学基金重大项目“中国美术史学史研究”(19ZD19)
国家社会科学基金后期资助一般项目“明代中后期江南书画消费活动研究”(20FYSB002)
上海市高峰高原学科建设计划项目阶段性成果
