摘要
明人的四六文创作历来以套袭、刻板为人所诟病,不过应该看到的是,晚明所处的特殊时期即四六文创作由疲敝转向中兴的过渡期,四六文创作正在发生着微妙的变化,即从僵化的形式追求慢慢地向抒情复归。这种变化在蔡复一的四六文创作理论及其创作实践中得到了体现,通过考察诸家选其作品的四六文选本中的选文标准及蔡复一的四六文作品就可以明显见出。
The creation of parallel prose in the Ming Dynasty has always been criticized by people,but it should be seen that the special period of the late Ming Dynasty,that is,the transition period from fatigue to prosperity,was undergoing subtle changes,slowly returning from the rigid form of pursuit to lyricism.This change was reflected in Cai Fuyi’s creation theory of parallel prose and his creative practice.By investigating the selection criteria in the selected works of Cai Fuyi and Cai Fuyi’s four and six works,it can be clearly seen.
出处
《闽台文化研究》
2019年第4期95-101,共7页
Fujian-Taiwan Cultural Research
关键词
蔡复一
四六文
选本
情感复归
Cai Fuyi
parallel prose
selected books
emotional return
