摘要
本文探讨作为人文之源的易学与以京剧昆曲为代表的戏曲艺术之间的密切联系。京昆集戏曲艺术之大成,获得"国粹"殊荣,在对外文化交流中发挥着桥梁作用。京昆的审美观念最富民族情愫,其形成并非偶然,与《周易》有深厚历史渊源。《周易》孕育了中华民族特定的思维方式和审美倾向,京昆正是在这种思维模式作用下形成的。全文从《周易》与戏曲之源、阴阳原则之统一、取象写意之合一、易学对京昆内容的渗透、弘扬易学与振兴京昆五个方面展开论述,并在与西方戏剧的跨文化比较中彰显戏曲特色,以期对相关领域研究有所助益。
This paper discusses the close relationship between Yiology that is the source of humanity and opera art represented by Peking Opera and Kunqu Opera.Peking Opera and Kunqu Opera,which are the great achievements of traditional opera,have won the honor of“national quintessence”and played a bridge role in foreign cultural exchanges.The aesthetic concepts of Peking Opera and Kunqu Opera are full of national feelings.Their formation is not accidental,and has a deep historical origin with Zhouyi.Zhouyi gives birth to the specific thinking mode and aesthetic tendency of the Chinese nation,and Peking Opera and Kunqu Opera are formed under the influence of this thinking mode.This paper discusses the origin of Zhouyi and opera,the unity of yin and Yang principles,the unity of image and freehand brushwork,the infiltration of Yi ology into Peking Opera and Kunqu Opera content,the promotion of Yiology and the revitalization of Peking Opera and Kunqu Opera,and highlights the characteristics of opera in the cross-cultural comparison with western drama,so as to be helpful to the research in related fields.
作者
赵建永
Zhao Jianyong(Research Center for Chinese Classics and Cross-culture,Tianjin Academy of Social Science)
出处
《美学与艺术评论》
2021年第1期179-198,211,共21页
Journal of Aesthetics and Art Review
基金
国家社会科学基金重大项目“黄老道家思想史”(16ZDA106)阶段性成果
关键词
易学
观象会意
古典美学
京昆传承
圆和
Yiology
understanding from lmages
classical aesthetics
inheritance of Peking opera and Kunqu opera
circle harmony
