摘要
20世纪初,奥地利舞蹈家格雷特·维森塔尔(Grete Wiesenthal)对维也纳华尔兹进行了一次彻底的现代主义改革。她将维也纳文化元素与自由舞蹈相结合,发展出一种全新的身体表达方式。凭借这种表达方式,舞蹈突破了音乐、场地、规则、集体舞的限制,成为一种直观的身体语言。在作家胡戈·冯·霍夫曼斯塔尔(Hugo von Hofmannsthal)的帮助下,维森塔尔将其独特的舞蹈表演融入哑剧,进而构建了一种以节奏律动而非手势语为基础的新哑剧。她的哑剧理念受到霍夫曼斯塔尔的影响,在两人联手创作的《陌生女孩》(Das fremde M?dchen)中得以呈现。文章尝试从动机和技术两个角度分析维森塔尔对维也纳华尔兹的现代主义改革,探究舞蹈与哑剧的融合以及霍夫曼斯塔尔在这一过程中的实际参与和影响,彰显舞蹈与文学的互动关联。
At the beginning of the 20th century,Austrian dancer Grete Wiesenthal made a radical reform on the Vienna Waltz in the context of modernism.She combined the Viennese elements with free dance to develop a new form of physical expression.With this kind of expression,the dance broke through the limitations of music,venues,rules,and group dance,and became an intuitive body language.With the help of writer Hugo von Hofmannsthal,Wiesenthal incorporated her unique performance of dance into pantomime and thus constructed a new pantomime based on rhythmic movement rather than gesture language.Her concept of pantomime,inf luenced by Hofmannsthal,is presented in their co-created work Das fremde Mädchen.This paper attempts to analyze Wiesenthal’s modernist reform on the Vienna Waltz from the perspective of motivation and technology,to explore the integration of dance and pantomime,outline the actual participation and inf luence of writer Hoffmannstahl in this process,and thus highlight the interaction between dance and literature.
作者
刘永强
赵婧雯
Liu Yongqiang;Zhao Jingwen
出处
《当代舞蹈艺术研究》
2023年第3期68-78,共11页
Contemporary Dance Research
基金
国家哲学社会科学基金青年项目“霍夫曼斯塔尔作品中的视觉感知与身体表达研究”(项目批准号:17CWW014)阶段性研究成果之一
