摘要
叙述学(亦称叙事学)和小说文体学在当代小说批评理论中占据重要地位;。但是,能够具备叙述学理论自觉意识,并将之成功运用于小说写作的作家并不多见。严歌苓的长篇小说《陆犯焉识》充分展现了叙述的力量。该小说具备繁复和多维度的内涵,叙事结构安排方面也独具特色,堪称匠心独运;将孙女"我"作为叙述人引入小说叙述,别致的叙述人的设置和叙述视角的独特运用不容忽视;小说家重视现实性的写作素材来源,运用文学叙述的能力,在纪实与虚构之间划出一条虚线。所有这些,都给同类题材和当代小说写作以有益的思考和启示。
Narratology and novel stylistics play an important role in contemporary novel criticism.However,few writers have the consciousness of narratology theory and successfully apply it to novel writing.Yan Geling’s novel Lu Fan Yan Shi fully demonstrates the power of narration.The novel has rich,important and multi-dimensional connotation,and its narrative structure is also unique,which can be called ingenuity;The granddaughter“I”is introduced into the novel narration as a narrator,the unique narrator setting and the unique use of narrative perspective can not be ignored;Novelists attach importance to the source of realistic writing materials,and use the ability of literary narration to draw a dotted line between documentary and fiction.All of these,give the similar theme and contemporary novel writing with beneficial thinking and enlightenment significance.
出处
《海峡人文学刊》
2021年第3期35-42,156,共9页
Journal of Humanities Across the Straits
基金
国家社科基金项目“新世纪海外华文作家的中国叙事研究”(17BZW171)
