摘要
作为一档网络音乐综合节目,《乐队的夏天》,把属于亚文化的乐队群体带到了网络综艺平台上,把强调现场性、互动性的乐队演出以在线方式呈现在观众面前,使得在流行音乐世界里属于小众群体、亚文化的乐队文化得到了前所未有的关注,带动了乐队经济的小浪潮,这种现象正是新媒体时代网络世界的亚文化狂欢。由此人们可以思考当下社会的青春文化特质,辨认其中伪叛逆的亚文化怀旧情怀,考察城市亚文化空间的突围与重构。
As a music program of an online variety show,The Big Band brought the band group belonging to the subculture to the online variety platform and presented the band performance emphasizing“live”and“interaction”in front of the audience online.As a result,the band culture belonging to a minority group and subculture in the pop music world received unprecedented attention,driving a small wave of the band economy.From The Big Band,we can thinking about the characteristics of youth culture in the current society,identify the pseudo-rebellious nostalgia of the subculture,and investigate the urban subculture space breakthrough and reconstruction.
出处
《文化研究》
2020年第4期77-88,共12页
Cultural Studies
基金
国家社科基金重大招标项目“数字媒介时代的文艺批评研究”(项目编号:19ZDA269)的阶段性成果
