摘要
佛教在汉代传入中国,在中国生根并与本土文化结合。佛教中的经典纹饰忍冬纹随着佛学东进传入中国。忍冬纹可分为单独纹样忍冬纹,适合纹样忍冬纹,连续纹样忍冬纹三大类。单独纹样的忍冬纹丰富且开放,适合纹样的忍冬纹有着规律性和创新性,连续纹样的忍冬纹在韵律感方面尤为突出。云冈石窟的忍冬纹作为中西装饰纹样相融合的典型代表,象征着佛教里的永生与轮回,有着延年益寿的符号价值。
Buddhism was introduced into China in the Han dynasty,then deeply rooted in China and integrated with local culture.The classic pattern of honeysuckle in Buddhism was introduced into China along with the eastward introduction of Buddhism.Honeysuckle patterns could be divided into three categories:single pattern honeysuckle pattern,suitable pattern honeysuckle pattern and continuous pattern honeysuckle pattern.The lonicera of individual pattern was rich and open,the lonicera of suitable pattern regular and innovative,and the lonicera of continuous pattern particularly prominent in the sense of rhythm.The honeysuckle patterns in Yungang Grottoes,as a typical representative of the fusion of Chinese and Western decorative patterns,symbolized eternal life and reincarnation in Buddhism,and had the symbolic value of prolonging life.
作者
任南南
REN Nan-nan(School of Fine Arts,Shanxi Datong University,Datong Shanxi,037009)
出处
《云冈研究》
2024年第2期34-39,共6页
Yungang Research
基金
山西大同大学云冈学专项“符号学视域下的云冈石窟忍冬纹纹样研究”(2022YGZX041)
关键词
云冈石窟
忍冬纹
符号学
佛教
Yungang Grottoes
honeysuckle pattern
semiotics
Buddhism
