摘要
如今,越来越多的博物馆开始关注对物的感官体验,让更多非视觉感官进入博物馆。观众在多感官的展览中既是认识的主体,更是体验的主体。从“物”到“现象”的转向,使得博物馆得以收藏、展示逝去的文明,同时增强人与整个世界的联系。博物馆的现象世界是日常生活的写照,日常生活中充满着多感官的体验,人们通过感官与身体来认识与体验世界。多感官在博物馆中的运用在这个思维下获得了更多的发展契机,博物馆在多感官传播上开启了新的里程。本文将带领人们用身体感悟博物馆,多感官展览从有意义的主题出发,利用特定的感官“道具”营造充满情境感的空间,同时利用与感官密切相连的线索创造个性化的结构顺序,从而制造出生动有效的身体与感官体验。
Today, an increasing number of museums have begun to focus on things’ sensory experience and thus introduced more non-visual senses into museums. In multi-sensory exhibitions, visitors are not only subjects of perception but also those of experience. The turn from“ things” to“ phenomena” makes museums able to collect and display lost civilisations while enhancing the connections between people and the whole world. The museum phenomenon world represents daily life which is full of multi-sensory experiences. People use the senses and body to understand and experience the world. From this perspective, the multi-sensory has more opportunities to be deployed within museums. Museums have started a new journey of multi-sensory communication.The paper will invite people to experience museums with the body. Drawing on meaningful themes, multi-sensory exhibitions create highly contextual spaces by using particular sensory“ props” while offering personalised structured orders with clues closely linked to the senses, so as to build bodily and sensory experiences that are vivid and effective.
作者
王思怡
Wang Siyi(School of Cultural Heritage and Information Management,Shanghai University,Shanghai 200000)
出处
《艺术博物馆》
2022年第3期28-43,共16页
Art Museum Magazine
关键词
博物馆
多感官认知
展览
Museum
Multi-sensory Perception
Exhibition
