摘要
奥斯曼帝国装饰艺术的形成是伴随着它的征服活动完成的。整体来看,这些复杂多变的装饰艺术是帝国视野的展现;从装饰细节看,它融合了中亚、东亚、西亚、欧洲与前期的拜占庭文化、塞尔柱克文化等。奥斯曼帝国流行的几种装饰风格也是奥斯曼本土与外来艺术家和工匠们在融入自己熟悉的传统文化基础上,对宫廷审美做出的适应性改变。16-18世纪是奥斯曼装饰艺术繁荣发展的时期,文章分析了此时装饰艺术中不同来源的装饰元素和它们之间的互动与影响,借以说明奥斯曼帝国装饰艺术的发展是多元文化交往的结果。
The formation of the decorative arts of the Ottoman empire was accompanied by its conquests.Taken as a whole,these complex and changeable decorative arts represent the vision of the empire.From the decorative details,they integrate Central Asia,East Asia,West Asia,Europe and the early Byzantine culture,Seljuk culture and so on.Several popular decorative styles in the Ottoman empire were also adaptive changes made by local and foreign artists and craftsmen to the court aesthetics based on the traditional culture.The 16-17th century was a period of prosperity and development of Ottoman decorative arts.This paper analyzes the interaction and influence of the decorative elements from different sources in the Ottoman decorative arts,so as to show that the development of the Ottoman decorative arts is the result of multicultural communication.
作者
杨静
沈爱凤
YANG Jing;SHEN Aifeng(School of Art and Design,Suzhou Centennial College,Suzhou,Jiangsu,213123;School of Art,Soochow University,Suzhou,Jiangsu,215000)
出处
《艺术生活》
2021年第4期18-23,共6页
Art & Life
基金
国家社科基金艺术学后期资助一般项目“中亚细亚古代艺术源流”(项目编号:19FYSB030)阶段性研究成果
江苏高校哲学社会科学研究一般项目“伊朗萨法维时期地毯装饰艺术研究”(项目编号:2019SJA1423)阶段性研究成果
