摘要
沈从文在1949年后转向物质文化史研究,于方法上形成文物、图像、文献相结合的“三重证据法”。沈从文的“三重证据法”反思王国维“二重证据法”“文字中心主义”之弊,渐次融合考古学、图像学、考据学的研究传统,以物见文、文图互证,形成“唯物主义”的研究特色。孙机继承其师“三重证据法”的研究法式,于路径、指向、态度、体例都表现出一脉相承的流传性。然而,孙机的研究内容与方法,又表现出“青出于蓝”的超越性。
Shen Congwen turned to the study of material cultural history after 1949,and formed a“triple evidence method”combining cultural relics,images and documents in method.Shen Congwen’s“Triple Evidence Method”reflects on the disadvantages of Wang Guowei’s“Double Evidence Method”and“text-centrism”,and gradually integrates the research traditions of archaeology,iconography,and textual research,and uses objects to see text and text and pictures to prove each other,forming a“Materialism”research features.Sun Ji inherited the research method of his teacher’s“Triple Evidence Method”,and showed the same succession in path,direction,attitude and style.However,Sun Ji’s research content and methods show the transcendence of“green out of blue”.
作者
周斌斌
ZHOU Binbin(College of Liberal Arts,Anhui Normal University,Wuhu 241000,China)
出处
《忻州师范学院学报》
2022年第4期59-64,共6页
Journal of Xinzhou Teachers University
关键词
沈从文
孙机
文物研究
三重证据法
物质文化史
Shen Congwen
Sun Ji
Cultural Relics Research
the Method of Triple
material culture history
