摘要
文人建筑是中华传统建筑中十分重要的部分,而气是中国哲学中极具特色的范畴。庄子认为气是万物构成的基础。本文从气的流动与建筑的关系入手,提出建筑是人的"气"的外向物化表达、景致是对自然之气的内向拾取、气于建筑内循环流动构成建筑场景的转换三个层面阐述中国建筑与古代文人之间的关系。并以南京三合宅为例,论述了文人"气"呈现出的三种空间氛围:融入山林的隐、气质彰显的雅、气韵生动的趣的三种表现手法。指出现代建筑对传统文化的应用,不应该停在符号层面而应该深入了解其背后的文化内涵。
Literati’s architecture is a very important part of Chinese traditional architecture.At the same time,"Breath"is a pretty special category in Chinese philosophy.It is believed that"Breath"is the basis of all things.This paper starts with the relationship between the flow of breath and the architecture.It proposes three viewpoints that the building is the outward materialization of the human"Breath",the scenery is the absorption of the natural"Breath"by the building,and the circulation of"Breath"in the building causes the transformation of architectural scenes.Then,the article takes Nanjing Sanhe House as an example to discuss the three spatial atmospheres of the literati’s"Breath"——hidden,elegant and vivid.It points out that the application of modern architecture to traditional culture should notice the culture inside,not just express as a symbol.
出处
《中外建筑》
2019年第11期34-36,共3页
Chinese & Overseas Architecture
基金
华侨大学研究生科研创新能力培育计划项目.
关键词
气
文人建筑
流动
空间氛围
breath
literati’s architecture
flow
space atmosphere
