著名政治学者张维为所著《中国震撼:一个“文明型国家”的崛起》是对中国发展理念、发展道路、发展实践的精辟理论总结。该书英译本The China Wave:Rise of a Civilizational State推出后,受到全球政要、国际主流媒体及英语读者的广泛...著名政治学者张维为所著《中国震撼:一个“文明型国家”的崛起》是对中国发展理念、发展道路、发展实践的精辟理论总结。该书英译本The China Wave:Rise of a Civilizational State推出后,受到全球政要、国际主流媒体及英语读者的广泛关注和好评,成为构建中国特色话语体系、讲好中国故事的成功范例。通过以勒菲弗尔的“翻译即重写”理论为分析框架,从意识形态、诗学以及赞助人系统三个角度,分析三者对译者翻译过程的操纵。研究发现:译者对英文版的内容进行调整的方法,即70%是汉语文本的翻译,30%为改写、重写或调整,明显受到了意识形态这只“看不见的手”的操纵;由于英汉民族不同的诗学传统,诗学因素无形中在字词、句法和修辞等层面操纵着译者的翻译抉择;为了更好地促进英译本在英语世界中的流通和接受,作为英译本主要赞助人的上海世纪出版集团,就像一只“看得见的手”,左右着翻译活动的全过程。展开更多
Ezra Pound, not only a prominent poet but also a translator, published Cathay, which is translation of 19 classic Chinese poems on the basis of Fenollosa's notes. Since its publication, it receives warm welcome fr...Ezra Pound, not only a prominent poet but also a translator, published Cathay, which is translation of 19 classic Chinese poems on the basis of Fenollosa's notes. Since its publication, it receives warm welcome from western readers but dispute also exists due to some mistranslations. This paper aims to use rewriting theory to evaluate this work from a fresh perspective.Rewriting theory, which was proposed by Andre Lefevere, asserts that ideology, poetics and patronage would exert influence on translation. With analysis of the original work, notes of Fenollosa, it can be concluded that Cathay is under the manipulation of ideology and poetics of Pound's era. With regard to ideology, The World WarⅠinfluences the subject Pound chose and the methods he used. On the part of poetics, Pound launched Imagism Movement against the dominant Victorian poetics. Direct images,concise language and free verse are embedded in Cathay.展开更多
This paper will try to apply Andre Lefevere's rewriting theory to study subtitling.Through the analysis of The Last Emperor and its two Chinese translations,we will explore how ideology manipulates subtitle transl...This paper will try to apply Andre Lefevere's rewriting theory to study subtitling.Through the analysis of The Last Emperor and its two Chinese translations,we will explore how ideology manipulates subtitle translation.展开更多
近年来,我国的"赛珍珠研究"形成了一道独特的风景线,然而对于其作品的翻译研究几乎是一片空白。本文首次尝试着以安德烈·勒菲弗尔的改写理论为基础,主要从意识形态的角度,以The Good Earth的汉译为例,分别从译前文本的...近年来,我国的"赛珍珠研究"形成了一道独特的风景线,然而对于其作品的翻译研究几乎是一片空白。本文首次尝试着以安德烈·勒菲弗尔的改写理论为基础,主要从意识形态的角度,以The Good Earth的汉译为例,分别从译前文本的选择、译中的翻译策略及译后文本的流行三个层面来例证分析了意识形态对文学翻译的操控,从而说明翻译不是发生在"真空"中的纯语言转换,而是社会和文化的产物。同时,本文也期盼能够促进大家都能以客观公正的态度来解读《大地》。展开更多
文摘著名政治学者张维为所著《中国震撼:一个“文明型国家”的崛起》是对中国发展理念、发展道路、发展实践的精辟理论总结。该书英译本The China Wave:Rise of a Civilizational State推出后,受到全球政要、国际主流媒体及英语读者的广泛关注和好评,成为构建中国特色话语体系、讲好中国故事的成功范例。通过以勒菲弗尔的“翻译即重写”理论为分析框架,从意识形态、诗学以及赞助人系统三个角度,分析三者对译者翻译过程的操纵。研究发现:译者对英文版的内容进行调整的方法,即70%是汉语文本的翻译,30%为改写、重写或调整,明显受到了意识形态这只“看不见的手”的操纵;由于英汉民族不同的诗学传统,诗学因素无形中在字词、句法和修辞等层面操纵着译者的翻译抉择;为了更好地促进英译本在英语世界中的流通和接受,作为英译本主要赞助人的上海世纪出版集团,就像一只“看得见的手”,左右着翻译活动的全过程。
文摘Ezra Pound, not only a prominent poet but also a translator, published Cathay, which is translation of 19 classic Chinese poems on the basis of Fenollosa's notes. Since its publication, it receives warm welcome from western readers but dispute also exists due to some mistranslations. This paper aims to use rewriting theory to evaluate this work from a fresh perspective.Rewriting theory, which was proposed by Andre Lefevere, asserts that ideology, poetics and patronage would exert influence on translation. With analysis of the original work, notes of Fenollosa, it can be concluded that Cathay is under the manipulation of ideology and poetics of Pound's era. With regard to ideology, The World WarⅠinfluences the subject Pound chose and the methods he used. On the part of poetics, Pound launched Imagism Movement against the dominant Victorian poetics. Direct images,concise language and free verse are embedded in Cathay.
文摘This paper will try to apply Andre Lefevere's rewriting theory to study subtitling.Through the analysis of The Last Emperor and its two Chinese translations,we will explore how ideology manipulates subtitle translation.
文摘近年来,我国的"赛珍珠研究"形成了一道独特的风景线,然而对于其作品的翻译研究几乎是一片空白。本文首次尝试着以安德烈·勒菲弗尔的改写理论为基础,主要从意识形态的角度,以The Good Earth的汉译为例,分别从译前文本的选择、译中的翻译策略及译后文本的流行三个层面来例证分析了意识形态对文学翻译的操控,从而说明翻译不是发生在"真空"中的纯语言转换,而是社会和文化的产物。同时,本文也期盼能够促进大家都能以客观公正的态度来解读《大地》。
