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Epiphanic Revival: Exploring Metallic Finishes on Batik Fabrics in Ghana
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作者 Sumaila Mohammed Sumaila Kweku Safo-Ankama Joshua Anim 《Journal of Textile Science and Technology》 2024年第1期25-40,共16页
Batik fabric is an integral part of the traditional cloth culture of the Ghanaian traditional setting. However, the batik fabric has marginal usage due to its casual visual appearance. This studio practice seeks to ex... Batik fabric is an integral part of the traditional cloth culture of the Ghanaian traditional setting. However, the batik fabric has marginal usage due to its casual visual appearance. This studio practice seeks to explore the epiphanic revival in the use of metallic finishes on batik substrate to create an enhanced visual appearance with embellished aesthetic sensibilities and diversified use. The researchers adopted the studio-based approach of the qualitative design to manipulate handmade tools, techniques (collagraph) and the batik fabrics through experimentation to produce a glittering mercurial batik fabric which is typically an industrial practice. The studio practice took place at the Textile Design and Technology studio, Takoradi Technical University, Ghana. The traditional batik fabric was manipulated through fabric decoration techniques in accordance with studio-based practices. The Addie model was adopted as a methodological approach in the analysis, design, development, implementation, and evaluation processes of the experimentation processes of the study. Findings revealed that the hand techniques used in the production process for the metallic prints produced interesting accidentals finishes and effects that machine work cannot achieve, producing new discoveries of visual enhancements of traditional batik fabric. Traditional batiks became mercurial with glittery effects. The metallic prints on the fabric also changed its consumption pattern from mere casual fabric to classic and cosmopolitan fabric for varied uses suitable for wearable to non-wearable. 展开更多
关键词 BATIK Tie Dye Metallic prints Finishes Visual Appearance
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Inspiration and Innovative Approach in Creating Textile Designs and Prints from Sekondi-Takoradi’s Masquerade Costume Designs
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作者 Kweku Safo-Ankama Joshua Anim Sumaila Mohammed Sumaila 《Journal of Textile Science and Technology》 2023年第1期52-68,共17页
Masquerade culture is an essential part of Sekondi-Takoradi cultural embodiment. The masquerade festival titled Ankos displays interesting costumes that have artistic elements of potent colour display and performances... Masquerade culture is an essential part of Sekondi-Takoradi cultural embodiment. The masquerade festival titled Ankos displays interesting costumes that have artistic elements of potent colour display and performances. The masquerade costumes manifest intricate fabric decoration techniques for example pleating, folding, gathering, smocking, hand and machine stitching and the use of varied colour schemes. These decorative techniques make costume production laborious, tedious and downtime constraints. In contributing to the innovative approaches to creating textile designs and prints, the study explored the inspirational possibilities of surface designs of the masquerade costume for textile designs and prints. The art-based research design and direct observation as research instrumentation were employed in the artistic creation for the study. Adobe Photoshop was used in the simulation design processes. The study revealed that the simulation design processes produced an innovative imitated visual appearance of the masquerade costume and production processes from a machine-stitched work to a hand-printed fabric. It is recommended that costume makers adopt the contemporary possibility of using hand screen to print hitherto the traditional laborious and tedious process of producing masquerade costumes. 展开更多
关键词 Masquerade Costumes Textile Designs and prints ADAPTATION INSPIRATION Sekondi-Takoradi
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陈洪绶版画作品考辨
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作者 蒋炜 《新疆艺术学院学报》 2023年第1期68-77,共10页
陈洪绶是有明一代极负个性的画家,也是晚明版画史上的重要人物。目前能够确证的版画作品存世6部。其创作动机主要是出于谋生需要。陈洪绶的版画艺术主要以他的绘画作品为根基,但对同时期的通俗版画的创作手法和表现手法也多有借鉴。
关键词 陈洪绶 版画作品 创作动机 风格特征 晚明版画 关联
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王兵的艺术神话与精神复活
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作者 王志军 《美术》 北大核心 2024年第8期60-63,F0003,共5页
王兵出生在甘南藏区,那种与生俱来的文化品格,艺术成长中的内在精神,已经奠定了他绘画语言的本能与艺术创作的基本走向。对他而言,绘画是与生命意识同步的,忧伤是一种难得的自我疗愈。在成长旅途中,他将生活世界里的经验内化为自己理解... 王兵出生在甘南藏区,那种与生俱来的文化品格,艺术成长中的内在精神,已经奠定了他绘画语言的本能与艺术创作的基本走向。对他而言,绘画是与生命意识同步的,忧伤是一种难得的自我疗愈。在成长旅途中,他将生活世界里的经验内化为自己理解万物的方法,甘南的风土人情和生生不息的流变,被描绘成笔下的精神影子,透过其速写、素描、版画、水彩、油画等语言形式,显现契合灵魂的艺术表达,转化成个人处理与世界关系的方法,以此实现自我精神的复活。 展开更多
关键词 王兵 版画 超现实 精神性
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“盛世印迹——2023·中国百家金陵画展(版画)”述评
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作者 代大权 《美术》 北大核心 2024年第3期26-33,F0002,F0004,共10页
中国当代版画的进步体现在对创作主题的理解、对审美观念的更新、对本体语言的把握和对画面构成的拓展。因为对主题的认识更开阔、更深入,所以有了新的表现欲望;因为对版画审美观念的更新,所以有了新的表现意识;因为对版画本体语言的深... 中国当代版画的进步体现在对创作主题的理解、对审美观念的更新、对本体语言的把握和对画面构成的拓展。因为对主题的认识更开阔、更深入,所以有了新的表现欲望;因为对版画审美观念的更新,所以有了新的表现意识;因为对版画本体语言的深研,所以有了新的表现语言;因为对画面构成关系的变革,所以有了新的表现特点。此次百家金陵版画展为这几个方面的变化提供了展示的平台,无论是典藏、收藏作品,还是入选作品,都见证了中国当代青年版画家在盛世动人的行旅与印迹。 展开更多
关键词 中国百家金陵画展 版画 创作主题 审美观念 本体语言
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浅析版画艺术的设计形式 被引量:2
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作者 罗文茜 《工业设计》 2018年第8期113-114,共2页
自古以来,版画即与各地刻书业紧密相关,刻书业的中心,往往也便是版画产地。明初定都南京,稍后迁都北京,南北两京便成了版画生产的中心。此外,宋元时代已成为刻书中心的福建建安和浙江杭州也依然发挥着生产版画的作用。摹刻了明末传入中... 自古以来,版画即与各地刻书业紧密相关,刻书业的中心,往往也便是版画产地。明初定都南京,稍后迁都北京,南北两京便成了版画生产的中心。此外,宋元时代已成为刻书中心的福建建安和浙江杭州也依然发挥着生产版画的作用。摹刻了明末传入中国的西画,留下了中外美术交流的雪泥鸿爪。使用了彩色印刷,开启了套色木刻的先声。 展开更多
关键词 版画 徽派版画 版画形式 清代版画
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印刷品呈色特性的光谱分析 被引量:4
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作者 刘浩学 《北京印刷学院学报》 2002年第3期3-8,共6页
通过测量三原色油墨印刷在纸上的光谱数据计算印刷品颜色 ,找出原色油墨、油墨二次叠印色之间的光谱数据关系 ,从而分析了印刷后所形成的颜色 ,发现网点扩大量不仅是网点面积的函数 ,而且随波长变化 ;计算结果还反映出油墨叠印的印刷适性。
关键词 光谱分析 印刷品 颜色计算 光谱反射率 印刷适性
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空间与构成——木刻版画的语言形态与审美表达 被引量:1
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作者 孔国庆 《美术》 北大核心 2023年第8期153-155,共3页
靳雄步的木刻版画在题材、内容和创作主题等方面体现出鲜明的时代特征,其中线条、笔触与物象之间关系的处理是画家探讨的重点。本文通过靳雄步的代表作品探究其版画的语言形态和审美情感,以此呈现靳雄步木刻版画创作所体现出的实验意识... 靳雄步的木刻版画在题材、内容和创作主题等方面体现出鲜明的时代特征,其中线条、笔触与物象之间关系的处理是画家探讨的重点。本文通过靳雄步的代表作品探究其版画的语言形态和审美情感,以此呈现靳雄步木刻版画创作所体现出的实验意识,揭示其对现代木刻版画的继承与创新。 展开更多
关键词 靳雄步 版画 木刻 语言形态 审美表达
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版画的主体性建构与去媒介化的当下实践——从版画家陈琦对版画的追问谈起
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作者 杨小彦 《美术》 北大核心 2023年第9期44-47,F0004,共5页
本文从版画家陈琦“我们为什么要做版画”这一追问入手,试图把版画在当下的危机概括为主体性的消失,并将其实践与解决这一危机相勾连,从而揭示危机的历史成因与现实窘况。本文以陈琦版画艺术为例,透视其中的双重努力,一方面重建版画的... 本文从版画家陈琦“我们为什么要做版画”这一追问入手,试图把版画在当下的危机概括为主体性的消失,并将其实践与解决这一危机相勾连,从而揭示危机的历史成因与现实窘况。本文以陈琦版画艺术为例,透视其中的双重努力,一方面重建版画的主体性,一方面去除版画原有的媒介特征,从而为解决这一危机提供创造性的路径。本文还特别注意到当下美术史研究中关于“媒介竞争”的提法,强调曾经作为媒介的版画在去除狭义的媒介方面的独特经验。这一经验表现为,变刻印的痕迹为主题,放大“虫洞”的造型意义,并引入光作为主题之一,从而完成一次形式上的重大逆袭。 展开更多
关键词 版画 媒介 印痕 虫洞
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Novel Multimodal Biometric Feature Extraction for Precise Human Identification
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作者 J.Vasavi M.S.Abirami 《Intelligent Automation & Soft Computing》 SCIE 2023年第5期1349-1363,共15页
In recent years,biometric sensors are applicable for identifying impor-tant individual information and accessing the control using various identifiers by including the characteristics like afingerprint,palm print,iris r... In recent years,biometric sensors are applicable for identifying impor-tant individual information and accessing the control using various identifiers by including the characteristics like afingerprint,palm print,iris recognition,and so on.However,the precise identification of human features is still physically chal-lenging in humans during their lifetime resulting in a variance in their appearance or features.In response to these challenges,a novel Multimodal Biometric Feature Extraction(MBFE)model is proposed to extract the features from the noisy sen-sor data using a modified Ranking-based Deep Convolution Neural Network(RDCNN).The proposed MBFE model enables the feature extraction from differ-ent biometric images that includes iris,palm print,and lip,where the images are preprocessed initially for further processing.The extracted features are validated after optimal extraction by the RDCNN by splitting the datasets to train the fea-ture extraction model and then testing the model with different sets of input images.The simulation is performed in matlab to test the efficacy of the modal over multi-modal datasets and the simulation result shows that the proposed meth-od achieves increased accuracy,precision,recall,and F1 score than the existing deep learning feature extraction methods.The performance improvement of the MBFE Algorithm technique in terms of accuracy,precision,recall,and F1 score is attained by 0.126%,0.152%,0.184%,and 0.38%with existing Back Propaga-tion Neural Network(BPNN),Human Identification Using Wavelet Transform(HIUWT),Segmentation Methodology for Non-cooperative Recognition(SMNR),Daugman Iris Localization Algorithm(DILA)feature extraction techni-ques respectively. 展开更多
关键词 Multimodalbiometric feature extraction ranking-baseddeepconvolution neural network noisy sensor data palm prints lip biometric iris recognition
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饾版、复数与版画思维的创新
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作者 王霄 《美术》 北大核心 2023年第9期60-63,共4页
与活字相似,饾版是中国传统版画中的一种重要技术手段,能够通过模件重组的方式实现多样化的图像生产。而且,饾版不仅有着辉煌的历史,其技术手段、媒介属性和思维模式的综合运用还在当代艺术的创作中成绩斐然。本文通过物质媒材、组合方... 与活字相似,饾版是中国传统版画中的一种重要技术手段,能够通过模件重组的方式实现多样化的图像生产。而且,饾版不仅有着辉煌的历史,其技术手段、媒介属性和思维模式的综合运用还在当代艺术的创作中成绩斐然。本文通过物质媒材、组合方式、生产模式、叙事逻辑4个层面的分析,对基于饾版技术和思维的当代创作进行总结和理论思考。 展开更多
关键词 版画 饾版 模件化生产 艺术媒介
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马戛尔尼使团礼品中的图册
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作者 徐斌 《清史研究》 北大核心 2023年第4期35-47,共13页
英国马戛尔尼使团送给乾隆帝的礼品中包含两箱图册。关于这些图册的数量、名称和内容一直比较模糊,进入清宫之后的流转也不甚明晰。本文依据英国东印度公司礼品购买清单、乾隆六十三年清宫造办处活计档、民国二十五年清宫造办处舆图房... 英国马戛尔尼使团送给乾隆帝的礼品中包含两箱图册。关于这些图册的数量、名称和内容一直比较模糊,进入清宫之后的流转也不甚明晰。本文依据英国东印度公司礼品购买清单、乾隆六十三年清宫造办处活计档、民国二十五年清宫造办处舆图房图目等材料,揭示这些图册的具体信息,并进一步探讨其所反映的英国18世纪的社会面貌及其被选作乾隆帝生日贺礼的原因。在此基础上,反观乾隆帝回赠给英王乔治三世礼品中的图册,也应是深思熟虑的选择。 展开更多
关键词 马戛尔尼使团 图册 乾隆帝 乔治三世 18世纪
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绘画家园里的耕耘者——程兆星的艺术探索
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作者 胡振江 《美术》 北大核心 2023年第4期147-149,共3页
一个好的画家无不注重深入生活、实地写生,没有坚实的生活基础,作品不可能具备旺盛的生命力,想要创作出有意境、有生气的作品就必须走进大自然实地写生。画家程兆星坚持写生,经过艺术提炼的色彩与线条,展现出他对现实世界的内心独白。
关键词 程兆星 中国画 版画
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一种基于改进Faster RCNN的易拉罐印刷缺陷检测方法
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作者 梁承权 吕德深 陆晓 《印刷与数字媒体技术研究》 CAS 北大核心 2023年第6期22-29,共8页
针对现有易拉罐印刷缺陷检测方法对小尺度缺陷检测难、漏检率高、检测精度低等问题,本研究提出一种基于改进Faster RCNN的易拉罐印刷缺陷检测方法。首先,以Faster RCNN的检测框架为基础,选取改进的VGG16模型作为特征提取网络,提取出卷... 针对现有易拉罐印刷缺陷检测方法对小尺度缺陷检测难、漏检率高、检测精度低等问题,本研究提出一种基于改进Faster RCNN的易拉罐印刷缺陷检测方法。首先,以Faster RCNN的检测框架为基础,选取改进的VGG16模型作为特征提取网络,提取出卷积特征图;其次,针对缺陷目标的小尺度结构特点,通过改进RPN网络生成更具表征能力的缺陷目标候选框;最后,对缺陷目标候选区域进行分析,通过数学形态算法将缺陷目标从背景中分割出来,实现对目标区域的缺陷识别和形态提取。实验结果表明,本研究检测方法可准确且完整地提取缺陷目标,在易拉罐罐体印刷缺陷数据集上平均准确率达到94.78%,与现有的目标缺陷检测算法相比,识别性能更优、智能化程度更高,对提升易拉罐智能化生产具有现实意义。 展开更多
关键词 印刷品 缺陷检测 快速区域卷积神经网络 深度学习
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Surface Roughness Quality and Dimensional Accuracy—A Comprehensive Analysis of 100% Infill Printed Parts Fabricated by a Personal/Desktop Cost-Effective FDM 3D Printer 被引量:1
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作者 Mohammad S. Alsoufi Abdulrhman E. Elsayed 《Materials Sciences and Applications》 2018年第1期11-40,共30页
Fused deposition modeling (FDM) has become widely used for personal/ desktop cost-effective printers. This work presents an investigational platform, which is used to study the surface roughness quality, and dimension... Fused deposition modeling (FDM) has become widely used for personal/ desktop cost-effective printers. This work presents an investigational platform, which is used to study the surface roughness quality, and dimensional accuracy of 100% infill density printed parts fabricated by a personal/desktop cost-effective FDM 3D printer using different types of thermoplastic filament materials namely, PLA, PLA+, ABS and ABS+. Varieties of experiments were conducted after the fabricated parts were naturally cooled down for at least three hours to room temperature. During printing work, the nozzle diameter, layer height, nozzle temperature and printing speed were set at 0.3 mm, 0.1 mm, 220&deg;C and 30 mm/s, respectively. According to the experimentally obtained data results over 10 mm scanned profile and 90&deg;measuring direction (perpendicular to building direction), PLA+ thermoplastic filament material shows an excellent surface behaviour and is found to be more accurate while ABS does exhibit high surface roughness, waviness and primary behaviour. Both PLA and ABS+ show good surface performance. 展开更多
关键词 Additive Manufacturing (AM) Surface Roughness WAVINESS Primary 3D prints Fused Deposition Modeling (FDM)
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关于粉印版画 被引量:1
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作者 周秀梅 温庆武 《湖北美术学院学报》 2001年第3期25-27,共3页
中国是木刻艺术的创始国,传统版画曹有过体面的历史并给世界以影响。粉印版画,作为传统版画的一支,在近十年来,没有得到很好的发展。如何将现代的艺术语言、创作理念及新的技法经验运用到现代的粉印版画创作中是笔者思索的问题。
关键词 木刻版画 粉印版画 艺术语言 技法
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版画表现形式在现代招贴设计中的应用研究 被引量:3
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作者 王晓玮 《景德镇学院学报》 2015年第2期128-132,共5页
今天的版画不仅可以扩展到二维媒介的任何领域,甚至可以创建三维的作品,而对于有着血缘关系的招贴,两者更是相得益彰。版画起源于人们的生活,招贴要走进人们的生活,大众的审美需求终将促使两门艺术形式的融合。
关键词 版画 招贴 设计 探索
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西夏文写本、刻本文献中的小图案研究 被引量:3
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作者 马振颖 赵松山 《西夏研究》 2018年第4期57-71,共15页
现存的西夏文刻本文献中往往可以见到内容丰富的小图案,如小沙弥、花卉、动物、花瓶与佛教相关的物品等,这些图案与它们的载体刻本文献一起,反映了西夏时期高超的雕刻艺术。西夏文写本文献中,同样发现有抄手在抄经时绘于经文中的小图案... 现存的西夏文刻本文献中往往可以见到内容丰富的小图案,如小沙弥、花卉、动物、花瓶与佛教相关的物品等,这些图案与它们的载体刻本文献一起,反映了西夏时期高超的雕刻艺术。西夏文写本文献中,同样发现有抄手在抄经时绘于经文中的小图案,形式多样,数量不少。通过对以上这些西夏文写本、刻本文献中的小图案进行研究,可以大致了解当时雕版刊刻及抄写经书的背景。分析这些小图案的主要来源,探讨它们在写本、刻本中出现的原因及作用,可以为了解西夏时期的艺术水平提供重要的线索。 展开更多
关键词 西夏文 写本 刻本 图案 版画 装饰
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The Influence of Suzhou's Taohuawu New-Year Prints
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作者 CAO Min-zhu (Art Academy of Xiamen University, Xiamen 361005,China) 《海外英语》 2012年第3X期176-179,共4页
This paper is about New-Year woodcut prints done in the Taohuawu area of Suzhou in the Chinese Ming and Qing periods that influenced Edo period ukiyo-e. And Japanese ukiyo-e impacted Western Post-Impressionism. The su... This paper is about New-Year woodcut prints done in the Taohuawu area of Suzhou in the Chinese Ming and Qing periods that influenced Edo period ukiyo-e. And Japanese ukiyo-e impacted Western Post-Impressionism. The subject matters of Taohuawu en gravings came from Chinese folk life, and were highly decorative. The engravings were reasonably inexpensive for ordinary people. This art form influenced ukiyo-e directly. As a Japanese engraving expert wrote: "Chinese prints were a good model for Japanese engravings. Chi nese New-Year engravings moved Japanese ukiyo-e artists so much that the new idea of ukiyo-e was influenced largely by them." [1] 展开更多
关键词 TAOHUAWU New-Year prints UKIYO-E FOLK custom
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Hot Vapor Bubble Prints on Carbon Steel
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作者 Gil Bazanini José Divo Bressan 《Journal of Applied Mathematics and Physics》 2017年第2期439-448,共10页
To study the effects of bubbles (or cavities) collapse on a solid surface, a rotating disk device was used here to create bubbles (or bubbles) in water. In the apparatus, these bubbles are led to collapse on the surfa... To study the effects of bubbles (or cavities) collapse on a solid surface, a rotating disk device was used here to create bubbles (or bubbles) in water. In the apparatus, these bubbles are led to collapse on the surface of carbon steel (commonly used in structures and machine impellers), and so related to higher costs for the hydraulic machines industry when damaged by such phenomenon, for example. After that, the specimens are observed with the aid of a scanning electronic microscope, where the damages on the specimens are analyzed showing pits and approximate circular areas on their surfaces. An explanation is presented here, based on collapse simulations (for qualitative purposes) and their result using images of the specimens after the collapses to visualize the damages caused by prints on their surface. The pits are certainly made by liquid micro-jet impingement while the areas, showing some aspects of burning, are credited to the high temperature impaction of the bubble contents in the final stages of its collapse. 展开更多
关键词 High Temperature BUBBLE EROSION DAMAGE prints
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